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academic record |
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2000 - 2002 |
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MA Painting. Royal College of Art, London |
1994 - 1997 |
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BA Fine Art & History of Art. Goldsmiths
College, London |
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exhibitions record (selected) |
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12.2017 |
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Listening to the Form (group), Panthera.today,
Brussels, Belgium
Curated by Tamara Van San |
10/11.2017 |
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The
Kiss or Poison Boyfriend or Jesus' Blood (group),
Intercession Gallery, Northampton; Project 78 Gallery, St Leonards-on-Sea |
09.2017 |
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Stiwdio/Lle (group), Bay Art, Cardiff
Curated by Liam O'Connor & LLE |
11.2016 |
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The
Good, The Bad and The Ugly: 22 Painters (group),
Charlie Smith, London
Curated by Alex Gene Morrison & Kiera Bennett |
11.2016 |
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Discerning Eye (group), Mall Galleries,
London
By invitation of Dan Coombs |
11.2016 |
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Particular Conditions (PrintMare2): 100 badges
from international artists (group), millimetre02
at Kingsgate Project Space, London; SUBstore, Koenji, Tokyo; Tadahon-ya,
Kyoto, Japan
Curated by Finlay Taylor |
07.2016 |
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Ingredients,
Method, Serving Suggestion (group), A.P.T. Gallery,
London
Curated by Alaena Turner |
03.2016 |
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Uncommon Chemistry (group),
Observer Bld, Hastings |
11.2015 |
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Coffee and Peaches
(solo), LIDO at ESPS, St Leonards-on-Sea
Curated by Jacqui Hallum |
07.2014 / 09.2014 |
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Summer Saloon Show (group), Lion &
Lamb, London & Aldeburgh Beach South LOOKOUT Project, Aldeburgh |
04.2014 |
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against Nature (group), Camberwell Space |
02.2013 |
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Pneu (group), Electro Studios Project
Space, St. Leonards-on-Sea |
04.2012 |
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Green Fuse (group), Hastings Art Forum
& Isobel Blackman Centre, Hastings
Curated by Laetitia Yhap |
04.2010 |
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AA2A Artists-in-Residence (group), George
Roger Gallery, UCA Maidstone |
05.2007 / 06.2008 |
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Harry Smith Anthology Remixed (group),
alt.gallery, Newcastle & CCA, Glasgow
Curated by Rebecca Shatwell |
04.2006 |
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New Trends in Painting Since 2000 (group),
The City Gallery OFFSITE @ UCB Depot, Leicester |
04.2006 |
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Everything Must Go (group), VTO, London
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10.2005 |
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Rub Out the Word (group), D.U.M.B.O. Arts
Centre, Brooklyn, New York
Curated by Michael Wilson |
02.2005 |
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Park Life (group), Clifford Chance, London
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07.2004 |
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Plaza Suite (group), Union Gallery, London
Curated by Free Association, with Uwe K. Guenther |
05.2004 |
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Floral Habitat (group), Bury St Edmunds
Art Gallery, Bury St Edmunds |
05.2004 |
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Sundays and Public Holidays (solo project),
Sculpture Mound, Pump House Gallery, London |
04.2004 |
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A Concert in the Egg (group) , The Ship,
London
Curated by Jo Stella-Sawicka & Emma Robertson |
11.2003 |
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about you and your fears (group) , McManus
Galleries, Dundee |
08.2003 / 11.2003 |
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I Want! I Want! (group), Northern Gallery
for Contemporary Art, Sunderland & Towner Art Gallery, Eastbourne |
06.2003 |
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Cover Up Landscape and Natural History Series Part
5: Into the Grey (group), Cover Up, London |
02.2003 |
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Cover Up Landscape and Natural History Series Part
1: Into the Red (group), Cover Up, London
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07.2002 |
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diversion (group), Museum of Garden History,
London
Curated by Danielle Arnaud |
06.2002 |
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Sound and Vision (group), Foyer, Royal
Festival Hall, London
For David Bowie's Meltdown Festival |
05.2002 |
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The Ink Jetty (group), Neon Gallery, London |
10.2001 |
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Entomology Vandal (group), Cover
Up, London
Curated by Finlay Taylor |
07.2001 |
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Love Will Ruin Your Mind (solo), Hockney
Gallery, RCA, London |
06.2001 / 12.2001 |
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MODERN LOVE in düsseldorf and london (group),
hobbypopMUSEUM, Düsseldorf & VTO, London |
10.1999 |
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Trust (solo), Nylon Gallery, London |
01.1999 |
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Cathedral (group), BoBo's, London. |
07.1996 |
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Yerself is Steam (group), 85 Charlotte
Street, London
Curated by Iain Forsyth & Jane Pollard |
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curated exhibitions |
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click here for full list |
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publications record
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2007 |
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Six Impossible Things to do Before Breakfast #6; I'll Come
up with Something. Centro Cultural Montehermoso, Spain
Artist's bookwork project by Olga Adelantado, curated by Michael Wilson
(download
it here) |
07.2005 |
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IDEA / You are De-corator
Curated by O. Alvarez, R. Camelo, D. Cudak, E. Ferrero, S.
Golden, M. Stathi |
11.2002 |
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Slimvolume Poster Publication 2002
Curated by Andrew Hunt |
10.2002 |
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( three stars ), Pupa Press
Curated by Finlay Taylor |
10.2002 |
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Pupa, Pupa Press
Curated by Finlay Taylor |
06.2002 |
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Year 2000
Curated by Martin Clark & Mark Dickinson, exhibited in
Am Anfang der Bewegung stand ein Skandal, Lenbachhaus
Museum, Munich, 2002 |
10.1999 |
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Entomology Vandal. Pupa Press
Curated by Finlay Taylor |
11.1997 |
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Words and Pictures, boxed edition of artists'
multiples, issue 10
Curated by Iain Forsyth & Jane Pollard |
07.1997 |
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Words and Pictures, boxed edition of artists'
multiples, issue 9
Curated by Iain Forsyth & Jane Pollard |
11.1996 |
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Words and Pictures, boxed edition of artists'
multiples, issue 7
Curated by Iain Forsyth & Jane Pollard |
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published writing |
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01.2018 |
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Vile Bodies in The Kiss or Poison Boyfriend
or Jesus' Blood: some notes on touch Kingsgate Project Space
a version of this text was published as Oh, Let me in
in MA Printmaking 2017 exhibition catalogue, Camberwell
College of Arts |
04.2014 |
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Strange and Wonderful in I Cheer a Dead
Man's Sweetheart: 21 Painters in Britain exhibition catalogue,
De La Warr Pavilion |
06.2013 |
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Jesters, Trojan horses, demigods and toxic rice
in MA Printmaking 2013 exhibition catalogue, Camberwell
College of Arts |
06.2013 |
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Foreword and Interview: Edward Chell and
Dan Howard-Birt in Edward Chell: Eclipse,
Stour Valley Arts |
04.2013 |
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Making Believing in Holly Story: Make Believe,
Stour Valley Arts |
06.2012 |
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Sailing close to the wind: a concise appreciation of Tamara
Van San in Oroonoko!, Tamara Van San &
Rein Dufait exhibition catalogue, Galerie Triangle Bleu, Stavelot,
Belgium. Reproduced in Tamara Van San: Indian Shuffle,
Tornado Editions, Brussels (2014) |
2011 |
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The evolution of the commission process a three-way
conversation between Peter Bonnell
(ArtSway), Dan Howard-Birt (SVA) and Mike Marshall in Every
Curator's Handbook eds. Anne Klontz, Karen MacDonald and
Yulia Usova in partnership Perfect Art Institution |
06.2011 |
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Introduction with Peter Bonell in Mike
Marshall: Open Space, Stour Valley Arts & ArtSway |
06.2010 |
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Lee Patterson in conversation with Sian McMillan and Dan
Howard-Birt in Lee Patterson: Elemental Fields
exhibition guide, Stour Valley Arts |
02.2004 |
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Plunder: Culture as Material at Dundee Contemporary
Arts exhibition review in a-n magazine |
2002 |
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Love Letter Love Letter: The works of Iain Forsyth &
Jane Pollard www.iainandjane.com |
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other information |
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2015 & ongoing |
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Director, Kingsgate Workshops, London |
2010 - 2011, 2015 & ongoing |
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Co-Director, LIDO, St. Leonards-on-Sea |
2014 & 2016 |
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Trustee, Art in Romney Marsh |
2009 - 2010 |
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AA2A Print Residency, Maidstone College UCA |
2008 |
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Print Commission, Camberwell School of Art |
2007 - 2015 |
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Curator, Stour Valley Arts |
2004 & 2005 |
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Dundee Visual Artist Award |
2004 |
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Arts Council England, Grants for the Arts Award |
2003 - 2004 |
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Committee member, GENERATORprojects, Dundee |
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visiting lecturer in art school
and university |
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2010 & ongoing |
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Associate Lecturer, MA Printmaking at Camberwell College
of Arts, UAL |
2014 |
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BA Fine Art (3rd year Painting, including assessment) at University
of Kent |
2009 & ongoing |
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single days, short modules and symposium papers at Royal
College of Art, University of Kent, UCA
Canterbury, South Coast College, Hastings, University
of Chichester |
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